#Lend me your ears album plus#

But when a wrong call from the clunky robot puts soldiers’ lives at risk, they realize just how hard it is to program for battlefield experience.Īfter the story, Ireland shares how her own time in the military shapes her writing, and why tech dreamed up in D.C. TED is relentlessly efficient, quickly outpacing its human counterparts-and leaving them worried for their jobs. The story follows a group of soldiers deployed alongside TED, the Army’s first self-aware combat drone. And “True Life” pulls off the stereo clanging again but pairs it with a break bit, over which Brown raps kind of like Beck in the early Nineties.On this month’s episode of Future Tense Fiction, host Maddie Stone talks to Justina Ireland about her short story “Collateral Damage.” Im looking for something to lift my spirits, refill my happy tank, and put a big, dumb smile on my face.

#Lend me your ears album plus#

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Lend Me Your Ears, The Rise, The Fall & Everything in Between, and If You Lived Here Youd Be Home Already. I dont want to sit in the bathtub, praying my cat does me a solid by knocking my George Foreman grill into the water, anymore. “Everyone’s Crushed” finds Brown varying the phrase “I’m with everyone I love, and everything hurts” (also “I’m in love with everyone and everything hurts” and “I’m with everyone I hurt and everything’s love”) over more noisy guitar loops that don’t quite match up with the rhythm. Get all 3 The Distance releases available on Bandcamp and save 50.

“Out There” begins with funky bass and ascending synths for a good minute before Amos starts squalling his guitar and Brown speak-sings a string of single syllable nouns and verbs: “track, give, dive, slack, drag, draft, mud, scram.” Does it mean anything? It’s hard to tell with the guitar jumping between your ears, but the effect is fun. Lend me your ear Thus sayeth the lord Just know that my word Will not return void The time Ive sustained Theres no need. This chaos frequently works in the duo’s favor. the wallflowers EP, released 13 November 2013 1. It’s disorienting (literally … they sing, “West wind left to bounce” with more trills) and they even quote Sting’s “Fields of Gold” before the whole thing approximates the audial experience of melting. Keyboards stutter aimlessly, then they sigh, and then Brown exhales drolly right along with them: “I just wanted to pray for the rain.” Seems harmless enough, but then Brown’s counterpart, Nate Amos, who handles all the instruments, starts trilling his keys at the beginning of “Barley” and Brown, who uses they/them pronouns, starts singing about counting mountains. It’s the secret ingredient that made their covers album, 2021’s Somebody Else’s Songs, so enjoyable (Brown enunciates every lyric of Eminem’s “Lose Yourself” dorkily-on-purpose and sings No Doubt’s “Hella Good” sorta off pitch), and it’s also what made Structure, their 2021 album of originals, strangely endearing.Īs with their previous records, Everyone’s Crushed opens up like its own universe. O lend me your ears and Ill sing you a song, Its the end of the year so Ill. Chorus: Ringo Starr, John Lennon & Paul McCartney Oh, I get by with a little help from my friends. Mirrie Dancers first album, Musicalmanac began life as a songwriters. That vague insincerity is an acquired taste but once you’re immersed in it, it can feel almost charming. Lend me your ears and Ill sing you a song. Since forming in 2016, Water From Your Eyes have paired noisy yet winsome music with winky, tongue-in-cheek lyrics that Brown delivers in a way that can sound at once sweetly innocent and slightly devious. Reviews: Facts: Web pages about this album: Where to Buy: : Lend Me Your Ears: Music: Ray Stevens (Captain Wayne) : Lend Me Your Ears.

“When was the first time you heard the word ‘saccharine’?” singer Rachel Brown asks, sounding a bit like a tired Beat poet, on Water From Your Eyes’ jazzy song, “Remember Not My Name.” Like practically every lyric on the avant-pop duo’s Everyone’s Crushed – at least the ones that don’t read like free-associated stream of consciousness poetry – Brown’s question could be taken ironically. Curb: C2-94374 (Captain Wayne) 1991: CS: Curb: C4-94374 (Captain Wayne) 2005: CD: Curb: 78914.